Parking Lot Sycamore

December 7, 2025

My search for still-beautiful Autumn leaves, half hanging, half fallen to the ground, took me to Albuquerque where temperatures hadn’t yet dipped below zero. Striking ‘gold’ in a large vacant parking lot next to a Disc Golf course, are at least 30 full-grown Sycamore trees with what looked to be full canopies of foliage still clinging tight. But for all the leaves yet to fall, there must’ve been 50x that number covering the ground. The morning breeze was causing the recently-fallen leaves to skid across the pavement in jerky movements, coming to rest in the parking lot’s gutters. 

It was in these ankle deep gutter piles where the range of leaf sizes, colors and patterns were found. These 1” to 10” broad, palmately veined and ragged-toothed leaves appeared locked together like pieces from a newly-opened 5000 piece jigsaw puzzle. And, oh my! The lid to the box just blew away! Now I was faced with a dizzying jumble of multi-colored golden-yellows, burnt oranges, Ruddy duck rust, fading-to-spring greens and saddle browns. It was from these ankle deep gutter piles that I collected Autumn leaves for this project.

Lost in thought, I overlooked the white noise of the city ……. traffic mostly, constantly humming and impatiently honking ……. until a painful ringing in my ears invaded the relative calm of the morning.  No longer able to think, I turned around and found an invasion of leaf blowers!  Never was there a more loudly screaming, obnoxiously noxious sound. Coming closer and closer, louder and more insistent, their ear-muffled and gas-masked operators approached without hesitation, each blowing away (to where?) every bit of the “unsightly and offending” leaf-litter in their path. 

Luna approving of my Sycamore leaf selection

Dang-blasted! 

It finally dawned on me this Friday morning that the vacant parking lot only opened for use on Sunday’s. Not agreeable to working weekends, the leaf blower operators were determinedly cleaning up the “messy” lot for the regular Sunday crowd. I was in their way. 

Saving as many fallen Sycamore leaves as my collection bags could hold, and silently wishing all remaining leaves a happy landing somewhere on a nutrient-needy plot of land, I ran for the quiet of my car.

My Fallen Leaf Project

Using Sycamore leaves collected from that vacant Albuquerque parking lot, I tried my hand at a new technique; combining watercolor layers with layers of colored pencil. Using my new set of Van Gogh watercolors, I began each leaf with a layer of plain water followed by a light base layer, mixing Azo yellow medium with a touch of Yellow ochre. The bottom leaf (which was the underside of the top leaf) was duller and lighter in color, calling for a bit of Permanent lemon yellow. Allowing that layer to dry, I used various earthy colors from my set of Faber-Castell Polychromos colored pencils over the watercolor wash, mixing and matching the colors of my pencils with the actual leaf colors. This step tended to leave some areas uncolored with the pencils, so I applied another watercolor wash with Sap green, Burnt Sienna+Yellow ochre, and/or Madder lake deep+Azo yellow medium. I finished each leaf with a Dark sepia colored pencil outline, tipped the leaf margins with Dark sepia, and added shadowing first with Payne’s grey watercolor then Dark sepia colored pencil.

12 half-pan watercolor set and color swatch

The leaves were painted on 140# Canson XL Watercolor paper

Faber-Castell colored pencil set

If you have and questions or comments, please let me know. If you use this combined media technique, any tips you’d like to share would be greatly appreciated too.

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I’d like to send a shout-out and my deep gratitude to Wendy Hollender, botanical artist/illustrator/teacher extraordinaire, who announced in her newsletter free access for over a week to 19 of her bite-sized video lessons. Designed as companions to her book, The Joy of Botanical Drawing, each lesson focused on a different botanical subject and how to artistically render them using watercolor and colored pencil combined. I’ve always wanted to learn this technique and gave it a try with her leaf examples and then mine. Incorporating both media into the same painting was very challenging and way out of my comfort zone. 

Thanks so much Wendy, for such wonderful lessons and your fabulous companion book! With lots more practice, my goal is that some day my botanical art looks as natural, skilled and professional as yours.

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As always, Thanks for stopping by!

Draft final page with actual leaves lying on top

Sketchbook Revival 2025 ….. Binge Fest Extravaganza!

June 16, 2025

What a whirlwind celebration! Sketchbook Revival (SR) 2025 Binge Fest was so much fun. And Wow! Two jam packed weeks of creativity was over in the blink of an eye! 

Karen Abend, SR creator, host extraordinaire, and wonderful artist, came up with a brilliant idea for the SR 2025 session. I would swear the creative gears inside her head were spinning with delight as she declared, “Yureka! I’ve got it!”

Beginning on May 27th thru June 9th, Karen generously opened up the SR historic vault and set free all of the workshops conducted the first 5 years of SR (2018-2022)! That unbelievable offering came to more than 130 one-hour-long workshops of inspiring, hands-on, and creative  play time all instructed by well-known experts in artistic fields associated with Sketchbook Journaling.  

Challenge presented ……. Challenge accepted.

Since I’ve been participating in SR each year since 2018, and attended most of these workshops in the past, my goals and strategies to tackle the challenge were these: 

  1. Complete a minimum of 4 workshops daily;
  2. Two workshops should involve a project outside of my comfort zone, such as portrait drawing, fantasy, word play, collage, and properly stitching my own SR sketchbook so it wouldn’t fall apart during the 2-week challenge, etc.;
  3. Two workshops should involve projects within my comfort zone, such nature subjects, urban sketching, whimsey, and lettering, and those using watercolor pencils, graphite, and ink;
  4. Develop fresh, interesting, and imaginative sketches during the workshops;
  5. Allow Flambé to play along;
  6. Slow down, breathe, and enjoy the 2-week marathon without becoming overwhelmed;
  7. Recognize and gather take-away tips and techniques to bring into my Nature Journaling practice and Zentangle storytelling. 
  8. Keep sketching and sharing.

After two weeks of play, I was able to fill up my handmade and successfully stitched SR 2025 sketchbook! With a total of 46 pages completed (doubling up workshop projects on a handful of pages), including several pockets with inserts, I was pretty happy (and a bit exhausted). 

If you’ve participated in SR in the past, or maybe took on the 2025 challenge as your first time, you know how intense (in an exhilarating way) it can become.   If not, and would like to learn more, check out this link 

This link will take you to Karen Abend’s website where you can ask for more information about Sketchbook Revival. https://karenabend.com

Hope my collection made you smile and laugh! I certainly got a kick out of the experience.

Well, until Sketchbook Revival next year, thanks for coming along! 

Pick Me! Pick Me!

January 20, 2025

Winter can be challenging for nature journalers. Getting outside when it’s cold and windy, cloudy and dreary, snowy, icy or wet, are not ideal weather under any circumstances.  And when everything looks brown and crispy and pretty much the same, the challenge to nature journal in the great outdoors grows exponentially. While these conditions make it difficult for spontaneous observing, I try to remember there’s always something remarkable to be discovered in nature, even in winter.

 Who knew a little whack on the head would be just the thing to reawaken my curiosity?

Bundled in layers, leash in hand, Luna led me on her early morning walk around suburban Albuquerque. Having been along this route before, we’ve both made some interesting discoveries in the past.  And as usual, this time was no exception for Luna. For me though, everything appeared brown, crispy and familiar. But I was inspired by  and enjoying Luna’s sense of curiosity, and her encouraging tug on the leash. 

Nearing the end of our 2-1/2 mile walk, and mightily concerned I’d go home empty handed, we turned our last corner. It wasn’t 100 feet down the cement block-lined sidewalk that I abruptly stopped in my tracks. Something had lightly whacked me in the head! While the sound of rhythmic clacking rang out, I looked up, and to my surprise spotted the accidental assailant. Draped over the 6 foot wall, suspended from a hearty Trumpet Vine (Campsis radicans) growing in the hidden yard beyond was a string of pods resembling brown green beans. Long and plump and full of seeds, one of these pods had reached down low enough to make contact with to my head. (I say “reached” because that’s what my imagination said had happened.) Quickly awaking my sleepwalking brain, the effort made by the seed pod to get my attention paid off too. Silently whispering, “Pick me! Pick me!” it was as if the seed pod and its adjacent buddies either wanted to be harvested, or wanted to be featured in my nature journal (or both). 

So I did ………… both!

I loved learning about and sketching these fascinating Trumpet Vine seed pods, while my mind was filled with the muffled notes of a trumpet. Tooo-too-too-toooooom!

Hope you enjoyed reading this story and browsing around my journal pages.

As always, thanks for stopping by!

The Whimsy of Redefining Heartwood

January 10, 2025

After an unseasonably warm, almost spring-like December in the mountains of central New Mexico, January clearly has something else in mind. Winter! Windy days have resulted in bitter cold as they brought us cloud-cover and a few mini-snowstorms. 

The change in weather and absence of wildlife, combined with an abundance of dried vegetation is making it challenging to find nature journaling subjects. So a few days ago, I followed Luna around to see what was capturing her attention. Turns out burrowing rodents expanding their underground tunnels are leaving behind fresh mounds of soil with fascinating odors (to Luna, at least; I couldn’t smell a thing). 

When one of her explorations led me under a good sized pinyon tree, I noticed a very interesting piece of bark lying on the ground. Turning the piece over and over, examining all the beautiful patterns in the wood, the colors, old bug holes, and woodpecker drillings, I was surprised and delighted to see a good-sized hole in the shape of a perfect Heart! Eureka! 

The 7” piece of pinyon bark …. Can you find the Heart?

Many things crossed my mind in that moment …… but the one word that stuck was “Heartwood!!” Could this small piece of bark redefine the meaning of heartwood? Could this tree have been wearing it’s true emotions on its bark in the form of a heart-shaped window?  

After a refresher on basic tree anatomy, and reconfirming that heartwood surrounds the core of the trunk, my imagination went wild.  Could that heart-shaped hole in the bark been the opening of a mysterious pathway through the inner workings of the tree?!!! If I could’ve returned the piece of bark to the exact place from where it fell, could the heartbeat of the tree be heard? 

My finished pages mostly about Redefining Heartwood, but also featuring the view of South Mountain (to the NE) as seen from our new home (including my studio) and the trail where the “Heartwood” bark was found.

While sketching the piece of bark with its perfectly-shaped heart, I wondered if peering at the inner workings of a tree through this window would make a fun children’s picture book? ….. Where the layers of a trunk and how they work would be experienced first hand by a child walking down the pathway?

After you stop laughing from all this nonsense, let me know what you think?

As always, thanks for stopping by (on my magic carpet ride!)

(Updated) Sketchbook Revival 2024! 15 Days of Priceless Fun


****************Notice*******************

Photo display correction has been made in this second post, which has the identical in text as the first post presented earlier in the morning, please disregard the first post and apologies for any confusion. Barb


September 23 – October 7, 2024
For the last 7 years, I’ve participated in the annual, 2-week long sketching/drawing, painting and mixed media event, Sketchbook Revival, founded and hosted by a talented sketchbook artist, Karen Abend. Every year, Karen brings together a cast of creative artists for a mega on-line teaching marathon. Each day, 2 1-hour recorded sessions are available to hundreds of participants from around the world, providing an opportunity to interactively learn a skill or technique designed to begin or expand on a regular sketchbook practice.  These sessions may include book binding, mark-making, collage, creating imaginary characters, urban sketching, composition, landscapes, flowers, mammals and bird painting, people or pet portrait drawing, nature journaling, Zentangle, map making, story telling, textiles, and on and on! Techniques shared by instructors involve a wide-variety materials, like watercolor, gouache, acrylic, markers, pencil and pen, colored pencil, and many forms of mixed-media. 

The whole fun event is designed to stretch your creative comfort zone by experimenting with art supplies and new approaches to art making, and encourages play. And as incredible as it sounds, all you need to participate is your time and whatever materials you have on hand. Otherwise, it’s totally free! Wowza! 

Not every session needs to be done (and this year there were 30 sessions in 15 days); I usually find time to complete about half of them. But this year I did all but one session (and may even complete the one skipped). From the very diverse cast of artists/instructors, I was able to learn new tips, techniques, approaches, and was invites to try new art supplies that would be useful in my regular sketchbooking and nature journaling practice. 

Hopefully you’ll enjoy my 2024 Sketchbook Revival “play!” Not all are great or even good (a few are downright awful!) but it was so much fun! Maybe something from my collection will have you laughing, or maybe even entice you to give Sketchbook Revival 2025 a whirl! 


That’s all for Sketchbook Revival 2024. Let me know what you think!

And as always, thanks for stopping by!

Sketchbook Revival 2024! 15 Days of Priceless Fun

September 23 – October 7, 2024
For the last 7 years, I’ve participated in the annual, 2-week long sketching/drawing, painting and mixed media event, Sketchbook Revival, founded and hosted by a talented sketchbook artist, Karen Abend. Every year, Karen brings together a cast of creative artists for a mega on-line teaching marathon. Each day, 2 1-hour recorded sessions are available to hundreds of participants from around the world, providing an opportunity to interactively learn a skill or technique designed to begin or expand on a regular sketchbook practice.  These sessions may include book binding, mark-making, collage, creating imaginary characters, urban sketching, composition, landscapes, flowers, mammals and bird painting, people or pet portrait drawing, nature journaling, Zentangle, map making, story telling, textiles, and on and on! Techniques shared by instructors involve a wide-variety materials, like watercolor, gouache, acrylic, markers, pencil and pen, colored pencil, and many forms of mixed-media. 

The whole fun event is designed to stretch your creative comfort zone by experimenting with art supplies and new approaches to art making, and encourages play. And as incredible as it sounds, all you need to participate is your time and whatever materials you have on hand. Otherwise, it’s totally free! Wowza! 

Not every session needs to be done (and this year there were 30 sessions in 15 days); I usually find time to complete about half of them. But this year I did all but one session (and may even complete the one skipped). From the very diverse cast of artists/instructors, I was able to learn new tips, techniques, approaches, and was invites to try new art supplies that would be useful in my regular sketchbooking and nature journaling practice. 

Hopefully you’ll enjoy my 2024 Sketchbook Revival “play!” Not all are great or even good (a few are downright awful!) but it was so much fun! Maybe something from my collection will have you laughing, or maybe even entice you to give Sketchbook Revival 2025 a whirl! 


That’s all for Sketchbook Revival 2024. Let me know what you think!

And as always, thanks for stopping by!

Sketchbook Revival 2023 … What a Wild and Colorful 13-Day Ride

March 20 – April 1st

For the last 6 years, I’ve participated in an annual, 2-week long sketching/mixed media event, Sketchbook Revival, founded and hosted by a talented sketchbook artist, Karen Abend. Every Spring, Karen brings together a cast of creative artists for a mega on-line teaching marathon, where each day, 2 1-hour sessions are shared with hundreds of participants. These sessions cover topics like basic mark-making, collage, caricature creation, drafting and perspective, composition, urban sketching, flowers, mammals and birds, portraits, map making, story telling, and on and on! This year a session in textiles was even included. Techniques were taught in using a wide-variety materials, such as watercolor, gouache, markers, pencil and pen, colored pencil, and many forms of mixed-media.

The whole fun event is designed to stretch your creative comfort zone by trying new things and experiencing new approaches to art making. And as incredible as it sounds, all you need to participate is your time and whatever materials you have on hand. Otherwise, it’s totally free! Wowza!

If this sounds irresistibly intriguing, and you just gotta-wanna participate next year, I’ll include a link below to find out more. Meanwhile, check out the photos of my Sketchbook Revival 2023 creations, filling up my handmade sketchbook (oh yeah, the pre-work session includes instructions on how to make your own sketchbook). I never expect to create works of art during the event; many of my pages are just plain awful. But no matter the result, I always made it fun! Enjoy!

Opening Session pages ….. the Charley Harper-ish birds at the bottom were my filler
The page on the left …. Definitely right up my artistic alley. The one on the left was a great approach to using random prompts to make art. A keeper technique for me.
Day 2 was “Blob” day. Always silly fun. Never know what may happen.
These 2 pages took on a life of their own. I followed the instructors until I didn’t! Perfectly allowable. Still interesting results.
I love experimenting with portraits and learning new ways to make them look real. Did I do that? The easier session with Tamara was a more comfortable fit for me. I liked my drawing, but the coloring was colorfully abstract ….. something really different for me. Sweet fox tho!
Another approach to kick-start your artistic slump ….. and then the collage. Collage is never easy for me, or intuitive. The experiment in paper gluing was challenging for me.
Ok ….. this must’ve been my finger painting day! Hahaha! Don’t think much came from the first session, so I took another approach with Session 2 and added one of my favorite McFarlane poems. Magpies are so clever!
This was a session deserving more attention in some of my future blog posts. Sketch Noting is great fun, but turning the sketch notes into a roadmap? Brilliant.
Really enjoyed the fun of this collage effort! And loved the urban sketchinglessons from Roisin Cure (and signed up for some of her follow-up classes which were outstanding)
Wow! The more I play with urban sketching, the more in love I become. And Toni Burt’s approach really worked for me, especially when it comes to story telling! Stay tuned for more urban sketching in my journals! Session 2 on neurographic art was a bit too “out there” for me, so I skipped it (also allowable, as there are no rules to Sketchbook Revival). Then Session 1 the following day ….. another collage. Oh well!
Another Roisin tutorial on succulents. I enjoyed her tips on creating convincing rosettes. And painting motifs was fun ….. mine took a Charley Harper twisted chicken turn. Couldn’t help myself.
A little toilet paper roll stencil work on the left (weird) and some colorful abstract landscapes (otherworldly in a few cases, huh?)
Oh wow! Textiles! Didn’t think this would resonate with me, but something clicked and after watching the session twice, I found myself deeply immersed in the practice of making Wabi Sabi fabric scrolls. A fascinating art form that’s intended to be imperfect, subtle and intimate while expressing both simplicity and impermanence. I don’t think my art expresses any of those things. But this approach to calming art making really drew me in. Hmmmm!
Here’s my rolled up Wabi Sabi scroll
And here’s my Wabi Sabi scroll all un rolled. I don’t know what meaning this has for me. Worth pondering?
And the last day! Another year of Sketchbook Revival concluded and added to my past 5 years of sketchbook creations.
Oh, just couldn’t resist another of Roisin’s tutorials. I’m rather found of this one ….. Cheers!

So if you’ve made it this far, and want to learn more about future Sketchbook Revival events, follow the link below:

sketchbookrevival.com

ask for Karen ….. tell her I sent you!